Seria Timp — Anatomia Invizibilului

Am abordat aceasta serie din perspectiva ideii in care omul sau poate mai exact spus creierul uman ar fi "o masina veritabila de citit viitorul", instaurand posibilitatea imaginarii unui timp ciclic din a carui ecuatie putem extrage imagini dintr-un perceptibil periplu intr-un viitor apropiat sau indepartat. Un soi de performanta nu la nivel de spatialitate (a vedea cat mai departe) ci la nivel de dimensiune a timpului (a vedea in viitor). Am creat structural, expresiv si sugestiv folosindu-ma de imaginatie, posibile variante ale viitorului. Nu am cautat noul cu orice pret intr-un viitor oarecare, ci mai exact am pornit din elementul de referinta-supravietuirea umana.

Intreg imaginarul legat de structura temporalitatii, m-a purtat intr-un mod natural, firesc, neostentativ intr-o lume desfasurata pe Pamant, dar mai mult in univers, deasupra pamantului, lucru care aduce imaginatului viitor o nota accentuata de verosimilitate avansata. Unii privitori ar putea crede cu deplina masura ca din punct de vedere a valabilitatii variantei de viitor propusa in seria "TIMP", aceasta ar fi una proxima. Toate acestea, subliniez, avand element de referinta supravietuirea.

Singurul criteriu al concatenarii formelor geometrice folosite in lucrari a fost acela de a sublinia nota fundamentala existenta la nivel de umanitate si anume SUPRAVIETUIREA.

Am urmarit in desfasurarea seriei sa "modelez" simpatetic/ sugestiv, un inventat scenariu al supravietuirii. Neluand in calcul totalitatea conceptiilor religioase referitoare la soarta finala a lumii si a omului, un fenomen cultural desfasurat intre Creatie si Apocalipsa, am imaginat timpul ca pe o verva a dainuirii fara a uza de elemente dramatice la nivel de forma sau degenerari structurale. Seria "TIMP" este o serie de lucrari in care am prezentat o varianta a unui viitor inchipuit, pornit din nevoia umanitatii de a supravietui, folosindu-ma de un discurs estetic teatralizat. Amplificarea curiozitatii in ochii privitorului am realizat-o pastrand nota lucrarilor cu tema fantastica fictiva intr-un ordin rational. Daca puterea generativa din seria "TIMP" am optat sa fie SUPRAVIETUIREA, expresia-cheie a devenit "posibilul, plauzibilul in limitele umanului". Seria "TIMP" este o imagine "harta" a propriei constiinte cu acces la un subconstient colectiv doritor de supravietuire.

Lavinia Bujor-Deaconu

I approached this series from the perspective of the idea that the human being, or perhaps more precisely the human brain, is "a veritable future-reading machine." This establishes the possibility of imagining a cyclic time, from whose equation we can extract images of a perceptible journey into a near or distant future. It is a kind of performance not at the level of spatiality (seeing as far as possible) but at the level of the time dimension (seeing into the future). I have created structurally, expressively, and suggestively, using my imagination, possible variants of the future. I did not search for the new at all costs in some random future, but rather started from the core reference point: human survival.

The entire imagery tied to the structure of temporality naturally, effortlessly, and unostentatiously carried me into a world unfolding on Earth, but even more so in the universe, above the earth—a factor that lends an advanced sense of verisimilitude to this imagined future. Some viewers might believe with full conviction that, regarding the validity of the future variant proposed in the "TIME" series, it is a proximate one. All of this, I emphasize, has survival as its reference point.

The sole criterion for concatenating the geometric shapes used in these works was to highlight the fundamental baseline of humanity: SURVIVAL.

Throughout the development of the series, I aimed to sympathetically and suggestively "model" an invented scenario of survival. Disregarding the totality of religious concepts regarding the final fate of the world and mankind—a cultural phenomenon taking place between Creation and Apocalypse—I imagined time as a zest for endurance, without employing dramatic elements in form or structural degenerations. The "TIME" series is a body of work in which I presented a variant of an imagined future, born from humanity's need to survive, utilizing a theatricalized aesthetic discourse. I amplified the viewer's curiosity by keeping the tone of these works, despite their fictional fantastic theme, within a rational order. While I chose SURVIVAL to be the generative power of the "TIME" series, the key expression became "the possible, the plausible within human limits." The "TIME" series is a "map" image of my own consciousness, with access to a collective subconscious longing for survival.

Lavinia Bujor-Deaconu