"I believe in the intelligence of matter"
"I believe in the intelligence of matter"
I approached this series from the perspective of the idea that man or perhaps more precisely the human brain would be "a real machine for reading the future", establishing the possibility of imagining a cyclical time from whose equation we can extract images from a perceptible journey in a near or far future. A kind of performance not at the level of spatiality (seeing as far as possible) but at the level of the dimension of time (seeing in the future). I created structurally, expressively and suggestively using my imagination, possible variants of the future.
I did not look for the new at any cost in some future, but more precisely I started from the reference element -human survival.
The entire imaginary related to the structure of temporality, carried me in a natural, natural, non-ostentatious way into a world unfolding on Earth, but more in the universe, above the earth, something that brings to the imagined future an accentuated note of advanced verisimilitude.
Some viewers could fully believe that from the point of view of the validity of the future version proposed in the "TIME" series, this would be a close one.
All this, I emphasize, having survival as a reference element.
The only criterion for the concatenation of the geometric shapes used in the works was to emphasize the fundamental note existing at the level of humanity, namely SURVIVAL.
During the course of the series, I aimed to "model" sympathetic/suggestive, an invented scenario of survival.
Not taking into account the totality of religious conceptions regarding the final fate of the world and man, a cultural phenomenon developed between Creation and Apocalypse, I imagined time as a verve of endurance without using dramatic elements at the level of form or structural degeneration.
The "TIME" series is a series of works in which I presented a variant of an imagined future, starting from humanity's need to survive, using a theatrical aesthetic discourse.
We achieved the amplification of curiosity in the eyes of the beholder by keeping the grade of the works with the fantastic and fictional theme in a rational order.
If the generative power in the "TIME" series we chose to be SURVIVAL, the key expression became "the possible, the plausible within human limits".
The series "TIME" is an image "map" of one's own consciousness with access to a collective subconscious willing to survive.
Lavinia Bujor-Deaconu
The digital works in this catalog can be printed on various materials, flexible or rigid (photographic paper based on silver, photographic paper intended for digital printing, cotton canvas, polypropylene, forex, dibond-metallic, wood, etc.)
Due to the quality at which the works were created, the prints can be made in very large sizes, between 1.5m and 3m, at resolutions of 1200-2400 DPI (super photo), on the latest generation machines, in 6-12 colors.
To protect the obtained exceptional quality print, it can be laminated glossy or matte. In the catalog, the dimensions of the works and the corresponding frames, recommended by the artist, are indicated/suggested.
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