argument

"Musical becoming manifests itself only in sounds but does not consist in them"- says Ernst Kurth. In other words, music would not be a simple string of sounds organized according to rules, but it would express "... the process of developing tension within us".
"The melody trembles before it rings"- E. Kurth.

This could mean that music is an echo of soul torrents, of the human inner world. It and everything related to it finding its corresponding manifestation in the depths of our spiritual being, being the very becoming from within. This seductive explanation shows and reinforces the thesis that tension precedes sonority as the concrete is generated by the abstract. Abstract subjectivity thus becomes the object of expressiveness.
In the series "Rodicai Bujor- Musical" I defined the emotional-intellectual sphere of music using abstract subjectivity, reinforcing the idea that tension or inner world precedes sonority or that it would be a manifestation factor rich in implications and variants.

In this light, going beyond the typically idealistic mentality, with the help of geometric shapes, I have drawn imagined inner worlds, originating from the unfolding of inner spaces, energized by both external and internal manifestations. Combining the elements that give rise to music into a whole, where the whole would be life with its manifestation, admitting the existence of the whole before the parts, where the music would be part of the whole, I configured the series of works "Rodicai Bujor- Musical".

Content-Form
Seeking the intimate connection between content and form, I rejected discords of a scholastic nature by highlighting concordance or unity.

I dedicate this series of works to the wonderful Rodica Bujor.
Lavinia Bujor-Deaconu