"I believe in the intelligence of matter"
"I believe in the intelligence of matter"
The interweaving of relationships at the level of the elements of nature, the elements of a landscape, determines the stage of evolution of human individuals who live or not in a space-time.
The image of traditional Romanian folklore culture has always included faithful representations, consistent with reality, of the field, the land, the places...; from the haystack to the ox cart.
In the artistic consciousness, this represents a "link" in an evolutionary chain of states initiated by attitudes that offer in a spatial sense a specific timbrality, chronologically simultaneous with an actuality in which the existence and function of industrialization had not managed to create its specific structures and restructurings. br
Stage, "link" stylistically, it edifies the viewer's eye with a strong affective note.
In the series "Landschaft" we redefined the landscape, keeping the structural-thematic, referential model, calling on the "arsenal" considered expressive in postmodernity, namely the geometric form.
In other words, I used alienation (through a set of more or less conforming manifestations of imagination) from reality to redefine the spatio-temporal places made visible with the help of geometric shapes, not moving away from the cultural referent defined by value integrity, balance, sufficiency, completeness, coherence.
The centrifugal function directed towards the atmosphere caused by the color palette, has been described as a compensatory reaction in preserving and amplifying the (affective) note.
Wanting to represent the landscape in a credible and authentic stylistic way, I gave a well-deserved priority to the lines of resubstantialization, bringing the eye of the postmodern viewer, aided by a somewhat romanticized attitude, to a rapid edification given by the geometric form, used with the function of a constitutive aesthetic element .
In order to establish a visible communication between the two "kingdoms" of consciousness, the old one and the one that I propose in the sequence of works from the "Landschaft" series, I organized the aesthetic discourse amplifying it through a grid of affective-subjective states, updating with the help of memory and or the imaginary the spatio-temporal field, to which I refer.
Lavinia Bujor-Deaconu
The digital works in this catalog can be printed on various materials, flexible or rigid (photographic paper based on silver, photographic paper intended for digital printing, cotton canvas, polypropylene, forex, dibond-metallic, wood, etc.)
Due to the quality at which the works were created, the prints can be made in very large sizes, between 1.5m and 3m, at resolutions of 1200-2400 DPI (super photo), on the latest generation machines, in 6-12 colors.
To protect the obtained exceptional quality print, it can be laminated glossy or matte. In the catalog, the dimensions of the works and the corresponding frames, recommended by the artist, are indicated/suggested.
According to current legislation, the reproduction of a unique work or the copies made after works that are not unique (e.g. digital art works), are considered original works if they are made by the author and with his consent.
The works/reproductions/copies are accompanied by a Certificate of Authenticity signed in the original by the author, a certificate that attests and guarantees the originality, authenticity and copyright of the work of art which is part of the artist's creation. The certificate also specifies, as the case may be, if the work is unique, or in the case of a reproduction/copy, no. of previous reproductions/copies.
Full or partial reproduction, in any form, of the content of this page (text, concept, work, etc.), without the consent of the author, is strictly prohibited.