"I believe in the intelligence of matter"

lavinia bujor-deaconu

mezzo-soprano

geometricmother series


argument

I think that man knows more than he knows that he knows...
Man feels more than he feels that he feels...
Man would be capable of more than he is convinced he can...
We carry within us in a certain way our ancestors and our ancestors, the sum of the beings that preceded us. It's as if they are perfectly integrated into us. With its dynamic and fragile composition, the concrete man, through his relationship with the mother, in the most intimate structures of his nature, stores an entire humanity.

"- Aaaa!, I'm glad to see you again! I haven't seen you in a while! ... - Oh, how big this little one of yours has become!!! - Yes, who does he look like?!!!..."

In the series of works "Geometric mother", I sought to capture definable situations, rather through the priority of states, adopting poses of the ritual in the mother-child relationship, children, of belonging to the aesthetic-ideological identity.

I have involved in this series hyperaccessible, conceptual-structural elements, to aesthetically validate the chosen relationships and to create a hypertolerance of forms. We imposed a state of synchrony at the level of all constitutive parameters to highlight the admissibility of identity membership. For the tone of deducibility, I used a construct of the synchronous-forms.
Starting from the presumption that in the mother-child relationship the essential elements, the definers of its contouring would be at the level of form, color, attitudes, states, etc., I represented, with the help of a scenic visual discourse, moments from everyday life . It is not in the last sense that I have highlighted contents that outline the transmissibility of identity. I turned my attention to elements with an identity preservation factor.

Seen this way, the sum of the meanings, the elements involved in the process of building the geometric shapes in this series, can be seen and/or acquires the function of a mold, then with the help of colors it transforms into the definition of the mother-child relationship, children. "Geometric mother", captures the mother as an accompanying, active element from whose energy the other constituent elements are fed, some of them with a role of good growth.
Lavinia Bujor-Deaconu

The digital works in this catalog can be printed on various materials, flexible or rigid (photographic paper based on silver, photographic paper intended for digital printing, cotton canvas, polypropylene, forex, dibond-metallic, wood, etc.)

Due to the quality at which the works were created, the prints can be made in very large sizes, between 1.5m and 3m, at resolutions of 1200-2400 DPI (super photo), on the latest generation machines, in 6-12 colors. To protect the obtained exceptional quality print, it can be laminated glossy or matte. In the catalog, the dimensions of the works and the corresponding frames, recommended by the artist, are indicated/suggested.

According to current legislation, the reproduction of a unique work or the copies made after works that are not unique (e.g. digital art works), are considered original works if they are made by the author and with his consent.

The works/reproductions/copies are accompanied by a Certificate of Authenticity signed in the original by the author, a certificate that attests and guarantees the originality, authenticity and copyright of the work of art which is part of the artist's creation. The certificate also specifies, as the case may be, if the work is unique, or in the case of a reproduction/copy, no. of previous reproductions/copies.


Expression cycle in digital art

postmodern aspects



Adam and Eve
series
Swordsman
series
Arboriforms
series
Angels
series
The couple
series
Time
series
Sunday or the woman from whom faith was not extracted
series
Contemporary megalopolis
series
Geometric-mother
series
Landschaft
series
Floriforms
series
The Higgs boson - particle of God
series
Rodicăi Bujor - Musical
series

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