argument

A kind of personification of the boson, a representation of the particle or, more broadly, a parallel that is justified by the specifics of the organization of consciousness and implicitly of the way of representing things.
In a certain sense, we could consider such a representation of the boson, of the particle (the recent discovery of scientists), as irrational, but from the desire to render unseen realities, fields that cannot be explored visually, we applied a cultural-aesthetic integrative force, personification.
The representation of the apprehension or more clearly of the existence of the invisible in the visible is the proof of the inter-conditioning and interpenetration of the invisible and the visible worlds that one might believe in an absolute interdependence.

In the series "The Higgs boson-particle of God", the boson is like a character born as if through a "synesthesia" and formulated through, with the help of meaning transfer. What is most surprising is the fact that from the term synaesthesia, a term that refers only to sensations, comes the term aesthetics (the science of beauty) - (interdetermination between aisthesis and aesthetics - Explanatory Dictionary of the Romanian Language, 2nd edition, Bucharest, Univers Enciclopedic Publishing House p.98).
In a certain way, a complex procedure was created to amplify the imagination.

As a synonym of the phenomenon of attribution, the word transfer, I use it in the present case to explain the proper way of representation, namely a certain "synesthesia" triggered, produced with artistic intent or/and the exercise of a reconfigurational flow.

A kind of postmodern democratism made that in the visual unfolding of an unseen element, I chose and absorbed human characteristics, for the composition from a purely speculative perspective of the structure of the boson. I sought to charge the meaning of the message with life, movement, emotions, momentum, passion...
With a capacity to embody, to represent in concrete forms, through the common element of the magnifying glass and with the help of translucent slits, I sought to emphasize the wonder and the universe that continues beyond the boson. At the same time, implicitly, the scientific character of research that was at the foundation of the inspiration. Among those who embrace postmodern thought, manifestation, might consider that asking visual art to imitate natural phenomena from the surrounding world is proof of misunderstanding of the specifics of postmodernism as well as its purpose.
The tenacity of the creator has something heroic in the ascent he goes through when he conceives, just as in the scientific research process we will always find forms of manifestation of the sublime.
Abstraction, which is nothing more than a thought process that puts the constitutive elements of an ensemble in a separate way from the material, concrete appearance, sheds light on the truthfulness of rendering the inner life of man. In the series of works "The Higgs boson-particle of God", we can talk about the rational work being carried out in the process of processing emotional material, in order to visually render unseen elements, elements invisible to the naked eye.

The organic character assigned (to the visual element) - the boson, strengthens the transfer of qualities in the realization of the reconfiguration.
Lavinia Bujor-Deaconu